Posts Tagged ‘Art’

The new TLACrew Channel is up on Youtube.

The video home of TLACrew.

Featuring videos of us at play and at work over the past couple of years, the new channel will be updated regularly with new playlists, videos from the street, and shots of the studio in action.

First up, let me apologise for being so poor at posting regularly! The past month and a half have been particularly busy – I’ve unfortunately had to get two jobs - proper, meaningful employment jobs – in order to cover the costs of moving to Norwich and all the other incidentals life throws at you (like getting the car fixed, paying rent… eating…). This has left me with far less in the way of creative time than I would have hoped, and almost no time at all to document or share any of it! Time to fix that, I guess…

Let’s start with the important, fresh stuff. I will be at UpFest this year, painting at the Tobacco Factory over the Saturday and the Sunday. For those of you who haven’t had the pleasure of hearing about or going to UpFest, it is a free festival dedicated to street art and graffiti, and is hosted yearly in Bristol. This year they have a ridiculous number of artists heading down, across and up to smash some serious paint around.

There will be 250 artists and 40 DJs, Groups & Human Beatboxers spread over 3 sites inBristol city centre and it’s free. Seriously. Click on the flyer and get yourself down there on the 4th and 5th. I might give you a beer you never know!

Another festival that I had the pleasure of getting involved in recently was the Fierce Festival. Based in Birmingham, Fierce is spread out a little more that UpFest, and has a much more eclectic vibe to it. Myself, Tempo33 and Lisk were invited to come down and paint at a site-specific interactive installation near millennium Point. Working with Fierce, a  group called EXYZT had created a meeting place out of shipping containers and reclaimed timber, using local resources to create a local space. They didn’t have a license to sell alcohol, but as it was public land, no-one could stop the influx of tins from various off-licenses around the city centre. Good music played, and we artists developed our responses to Birmingham’s love/hate relationship with itself. My piece took influence from Brum’s Anglo-Saxon roots, using a decorative motif found on jewellery unearthed as part of the Staffordshire Hoard, as well as focusing on the attitude of many Birmingham residents: “Brum may be a bit crap, we’re the only ones allowed to say that, because it’s ours, and we love it, and woe betide any person not from Brum who slags it off”. Many thanks to Adam Ragg for these snaps from the morning after:

Photo of Brummagem Piece by Adam Ragg

Painting in the dark on steel with thick as hell corrugations is a little tricky, at least when it comes to straight lines and details, but the piece says what I wanted it to.

Adam Ragg's pic of the final "wall"Of course, I’ve also been as busy as time will allow me to be in Norwich. I’m now painting with Vandals Have Style, and I’ve been dropping the odd wheatpaste and skateboard around as well. Have a look at the flickr stream for recent work in that category. I’ve also been painting the legal spots a bit just to keep my hand in and to work on my letters – NOYZ from VHS and I painted a quick freestyle piece the other day which I was quite pleased with…

In the pic below you can see NOYZ VHS on the left and Ments on the right – unfortunately this wall sees a lot of dogging and cheap fame, but I guess it means we have a good excuse to keep burning over it time and time again!

Right then folks, I’ll leave it there for the moment. I’m working on new sticker and T-shirt designs at the moment, which I’m planning to drop as soon as I possibly can, and of course I’ll keep you all updated on the UpFest vibe as and when. I will be “tweeting” (God I hate that word) from UpFest as the weekend progresses, so be sure to keep an eye out for me on your twatstream over the 4th and 5th.

Here it is folks – the new AsOne webshop! Keep your eyes peeled for new stock hitting the virtual shelves soon – new stickers, new prints and new shirts…

Share the love and link your mates to this – they’ll never forgive you if you don’t! On sale now are a limited number of prints derived from the “Tentacles – 8 Panel” piece which was displayed at the Herbert alongside work by artists such as Newso, Pahnl, Ben Slow, SPQR, Lucy McLauchlan, Banksy, Sickboy, D*face and Shepard Fairey. The original will be up for silent auction here in the next few days – all you business owners get ready to clear some wallspace and get bidding!

My new series Gods/Angels/Monks is due up as soon as I can start to cover print costs and paint, which could be a couple of weeks. However – with my standard level of impatience – I can’t be hanging around waiting all that time!

I only really went to the Bench today to grab some caps and colours, but while I was there, I decided that I should get something up so that I could feel I was making some progress. A quick amble round the corner showed that the boards I wanted to hit on the corner opposite Digbeth Coach Station had already been nabbed for adverts. The boards just down from that showed some recent hits by Lucy McLauchlan and TX , so I made do with a clean-ish section in between the two of them and started getting up.

Having a ciggie and just getting my paint on when lo and behold, who walks past but the man Moans. A brief chat becomes a daytime paint session and before you know it we’ve done our work and are on our way. Not bad for a something neither of us had planned – but that’s life I guess! I particularly liked his little squre headed dude over on the left…

Can't see this? Go look at the Monk on my flickr page!

Prep Work?

Posted: January 10, 2011 in Commissions, Paintings, Updates
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A few weeks before Christmas I met up with someone who’d seen the exhibition at the Herbert in Coventry and who wanted a piece doing for their bedroom wall. We discussed colour themes and design elements that her partner could live with as well as the overall vibe of the piece, and I promised to get set on it straight away, but then it was Christmas, and then it was New Year.

And then it all went a little bit wrong.

I did a pencil sketch to cover the layout and idea of what I wanted to do for the piece. It looked okay, so I decided to give it a quick colour wash just to see what it could look like. It looked better. So I decided to add some detail. It started to look really tasty. But I’m always busy with a thousand things (aren’t we all), so I left it alone for a bit while I sorted stuff out and went and met with some other people who wanted work doing.

Then I went back to the prep work. And realised that this quick preparatory sketch which should only have taken half an hour had become a lot of time and something decent in it’s own right.

Guess I’d better buy a frame for it…

A Little Taster

Posted: January 6, 2011 in Street Art, Updates
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So I’ve got a new series of bits and bobs hitting the streets over the next couple of weeks, and in preparation for this I had a quick flick through the work I’ve been doing towards this when I came across this development sketch. I’d almost forgotten about it, but when I saw it I thought it was worth a share.

Image not displaying? Go to my flickr page

The new series is titled “Gods/Angels/Monks” – which is pretty much all the description it needs at the moment – and with it I’ve decided to continue my focus on strong black and white linework. This sketch doesn’t quite fit with the vibe of the rest of the series, but I’ve been thinking about releasing it as a postcard print…

Art in the Underbelly

Posted: December 28, 2010 in Commissions, Paintings
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A video of the work from the Art in the Underbelly exhibition at the Rumsey Wells in Norwich. Many thanks to TXLW and Luke Emery – both a pleasure to work with.

Henry Chalfant – father of modern Graffiti photography – was invited to speak at the Herbert Art Gallery in Coventry as part of their street art season. Whilst there, he photographed the work in the exhibition – including my own submission.

photo credit to Henry Chalfant